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Advanced Systems Group, LLC is seeking an experienced Camera Shader for their high-performing team. The role involves hands-on expertise with Sony FX6 cameras, live studio shading workflows, and camera matching techniques to establish consistent, calibrated base looks across multiple cameras before applying final LUTs. This is a project-based Flex Workforce role, offering flexibility and exposure to leading media and technology clients. The position is estimated for 2 days/week from late July to early August, with potential for extension, supporting various client engagements.

Lead Broadcast Installation Technician

<div><h3><strong><span>About Us:</span><span>&nbsp;</span></strong></h3></div><div><div><span>Advanced Systems Group, LLC enables creativity through better technology and operations for media creatives and content owners. From acquisition to delivery, on-premises or in the cloud, ASG ensures our clients’ success through tailored solutions. One of North America’s largest Media and Entertainment Technology and Operations suppliers, we provide engineering services, physical and cloud integration, training, support, and managed services. Our Managed Services deliver customized operations and services for all phases of media production, including creative and engineering. Founded in 1997, and providing nationwide services, ASG has teams based in North America, South America, and Europe.</span></div><div><span style="font-size: 12.0pt;"><span></span></span></div><div><div><h3><strong><span>We are looking for:</span><span>&nbsp;</span><span>&nbsp;</span></strong></h3></div><div>Advanced Systems Group LLC. is seeking an experienced Camera Shader to join our high-performing team. The ideal candidate will have a minimum of 5 years experience with hands-on expertise with Sony FX6 cameras, live studio shading workflows, and a deep understanding of camera matching techniques. This role is essential for establishing consistent, calibrated base looks across multiple cameras before applying final LUTs.&nbsp;</div><div>&nbsp;</div><div><div>This position is part of our Flex Workforce.&nbsp;As a Flex team member, you’ll work on a project-to-project basis, supporting a variety of leading media and technology clients. Flex roles are ongoing and dynamic—work may vary in cadence, length, and scope depending on client needs. This setup offers flexibility, exposure to top-tier companies, and the chance to grow your skills across multiple exciting assignments.</div><div>&nbsp;</div><div>Estimated schedule: <strong>2 days/week Late July-Early August with possibility to extend</strong><br />(Specific schedules will vary by project and client engagement.)</div></div><div><span style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span><span></span></span></span></div><div>Responsibilities:&nbsp;</div><div><ul><li style="list-style-type: none;"><ul><li>Balance, match, and shade multiple Sony FX6 cameras in a live studio or broadcast environment.</li><li>Set all cameras to a unified base setting to ensure visual consistency across the production process.&nbsp;</li><li>Strong strategic planning to establish an ongoing workflow for a production environment to maintain.&nbsp;</li><li>Operate and fine-tune camera settings using Camera Control Units (CCUs).&nbsp;</li><li>Utilize Telestream Prism for precise waveform and vector scope monitoring.&nbsp;</li><li>Collaborate with the technical director, lighting team, and video engineering to achieve desired looks.&nbsp;</li><li>Adjust iris, white balance, gamma, and color levels in real time during live shows.</li><li>Maintain and document camera setups and settings for consistency across shoots.&nbsp;</li><li>Troubleshoot and resolve any camera or shading-related issues under live conditions.&nbsp;</li></ul></li></ul></div><div><div><div>&nbsp; Required Qualifications &amp; Experience:&nbsp;</div><div><ul><li style="list-style-type: none;"><ul><li style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span>Bachelor's Degree in Film/TV Production, AV Tech or similar experience.</span></span></li><li style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span>Mini</span><span>mum 5 years of experience as a Camera Shader in live studio or broadcast production.</span><span>&nbsp;</span></span></li><li style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span>Strong working knowledge of Sony FX6 cameras and their imaging pipelines.</span><span>&nbsp;</span></span></li><li style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span>Expertise in using CCUs and shading consoles for live color correction.</span><span>&nbsp;</span></span></li><li style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span>Familiarity with Telestream Prism or similar high-end scopes for image analysis.</span><span>&nbsp;</span></span></li><li style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span>Experience with building and managing base camera lo</span><span>oks prior to LUT application.</span><span>&nbsp;</span></span></li><li style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span>Excellent understanding of exposure, color science, and real-time correction.</span><span>&nbsp;</span></span></li><li style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span style="font-size: 11.0pt;font-family: sans-serif , arial , helvetica;"><span>Ability to work in high-pressure, time-sensitive environments with multiple camera feeds.</span></span></li></ul></li></ul></div></div><div><p><span style="font-family: sans-serif , arial , helvetica;font-size: 11.0pt;"><span><span><span>Preferred Qualifications &amp; Experience:</span></span><span>&nbsp;</span></span></span></p><ul><li style="list-style-type: none;"><ul><li><span style="font-family: sans-serif , arial , helvetica;font-size: 11.0pt;"><span>Experience with multicam workflows for live broadcast, concerts, or studio shows.</span></span></li><li><span style="font-family: sans-serif , arial , helvetica;font-size: 11.0pt;"><span>Familiarity with different LUT workflows and how they impact image pipelines.</span><span>&nbsp;</span></span></li><li><span style="font-family: sans-serif , arial , helvetica;font-size: 11.0pt;"><span>Knowledge of other Sony or cinema-grade camera systems a plus.</span></span></li></ul></li></ul></div></div><div><div>&nbsp;</div></div><span style="font-size: 10.0pt;"><strong><span></span></strong></span></div><div><strong><span>Compensation:&nbsp;</span></strong></div><div><span style="font-size: 10.0pt;"><strong><span></span></strong></span></div><div><span style="font-size: 10.0pt;"><span></span></span><div><div><div><span style="font-size: 10.0pt;"><span>This project-based role offers an hourly pay rate of <strong>$50-75/hour </strong>depending on experience.</span><span>&nbsp;</span></span><span></span></div></div><div><div><span style="font-size: 10.0pt;"><span>&nbsp;</span><span>&nbsp;</span></span></div></div></div><div><div><span style="font-size: 10.0pt;"><em>Advanced Systems Group LLC provides equal employment opportunities to all employees and applicants for employment and prohibits discrimination and harassment of any type without regard to race, color, religion, age, sex, national origin, disability status, genetics, protected veteran status, sexual orientation, gender identity or expression, or any other characteristic protected by federal, state or local laws.</em></span></div></div></div>

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