Base is on a constant look out for creative talents to help craft the next big scene. Various positions are available, send your latest portfolio and reels to <a href="mailto:malaysiajobs@base-fx.com">malaysiajobs@base-fx.com</a>. Speculative enquiries from artists of all levels of experience are also welcome!Employment opportunities are also available in Beijing, Wuxi, and Xiamen. For more information, please email us at:

Base Fx

Pipeline TD

VFX Production Coordinator

Lighting Artist

The Pipeline Technical Director (TD) will collaborate with artists and the software R&D team, connecting creative and technical aspects to support the tools and technologies used for creating visuals. The role involves maintaining close relationships with Creative groups to understand user workflows, which will guide the design and development of pipeline projects. Key responsibilities include adapting existing pipelines and tools, creating solutions to speed up workflows, writing scripts and tools to assist artists, and writing unit tests. The ideal candidate should have a strong understanding of artist workflows and the tools they use for work.

To work with our artists and software R&amp;D team, bridging the gap between creative and technical and providing the support for the tools and technologies used to create stunning visuals. Ability to maintain a close relationship with the Creative groups to enhance knowledge of user workflows and guide design and development of pipeline projects that service the teams. </div> <div class="space v30"></div> <div class="content">Key Responsibilities: <ul> <li>Assist Base to adapt the existing pipeline and tools to their new approach and operating as the front-line support for artists</li> <li>Create solutions and tools to speed up workflows, alleviate bottlenecks and facilitate production</li> <li>Creating quick scripts, macros and tools that will assist artist to manage work effectively</li> <li>Writing unit tests that run various production scenarios through your code so that bugs can be caught before deployed in production.</li> </ul> Key skills: <ul> <li>Strong Python knowledge</li> <li>Strong experience using at least one or all the following applications as a technical artist: Houdini, Nuke, Maya, Katana</li> <li>A good understanding of artist workflows and the tools they use for work</li> <li>Functional knowledge of Linux based systems</li> <li>Familiarity with the concepts of registering files on a database to facilitate a large team of artists, working across multiple sites</li> <li>Knowledge of Renderman</li> <li>Experience with C/C++, Lua and/or other scripting languages</li> <li>Knowledge of shotgrid application</li> </ul>

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The Senior Production Manager will oversee Red Star's production activities for an upcoming animated feature film, reporting to the Line Producer and Ben Smith. Responsibilities include managing schedules, ensuring goals are met, generating reports, supervising creative leadership, coordinating with the production team, overseeing recruitment, planning the pipeline, fostering a creative environment, and overseeing final deliverables. This role requires proactive project management, independent work, and handling competing priorities. It is a full-time position expected to start September 2025.

Red Star is an animation studio creating fantastic animated feature films, kids' TV and 3D/4D attractions in theme parks. Founded in Sheffield in 2004 by Ben Smith and Jan Rogowski, we offer script-to-screen production of exciting and engaging stories for family audiences. In 2020 we released our first animated feature film STARDOG & TURBOCAT starring Luke Evans, Nick Frost, Gemma Arterton and Bill Nighy in over a dozen territories worldwide and have recently completed work on a second feature THE AMAZING MAURICE.

Lighting / Comp Artist

Red Star are seeking an experienced SENIOR PRODUCTION MANAGER to oversee their work on our upcoming co-production of an animated feature film. The Senior Production Manager will be the senior person responsible for all the production activities of Red Star on the project, under the overall supervision of the film’s Line Producer (based in Germany) and reporting to the manager of Red Star, Ben Smith. This is a fully remote position, but due to the way the project is funded you must be physically based in the UK. Responsibilities <ul> <li>Devise, implement and manage Red Star’s schedule and production strategy for its activities on the project.&nbsp;</li> <li>Ensure Red Star meets its goals and objectives as defined by the film’s directors and producers.</li> <li>Manage approvals on all levels of Red Star’s activity to ensure schedules are maintained.</li> <li>Be continually aware of the status of the project and ensure it is on schedule and budget.</li> <li>Generate progress and cost reports for the Line Producer and Producers for internal and external use.</li> <li>Supervise the key creative leadership of the project, department heads and junior Production Manager(s) and coordinators.</li> <li>Serve as the main point of coordination and contact between the production team and the producer(s) / client(s).</li> <li>Oversee project-specific recruitment. Screen, interview and hire candidates in cooperation with department leads and other management.</li> <li>Be proactive in planning and troubleshooting the pipeline for production.</li> <li>Foster a creative culture and environment throughout the project team so crew are empowered to do their best work.</li> <li>Oversee final delivery of the project deliverables to the Producers.</li> </ul> &nbsp; Skills &amp; Requirements <ul> <li>Minimum of 5 years’ experience in a production role in animation.</li> <li>A thorough knowledge of Autodesk Shotgrid and experience using it animation / VFX production.</li> <li>A grounding in the technical process of 3D CGI animation.</li> <li>The ability to work proactively and independently and manage complex projects with competing priorities.</li> <li>Working knowledge of Maya.</li> </ul> &nbsp; This is a full-time position for approx. 18 months, expected to start September 2025 [TBC]. This is a fully remote position, but due to the way the project is funded you must be physically based in the UK. &nbsp;

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This assessment gives us an idea of your C++ skills- Companies that evaluate this skillset in interviews: Rockstar Games, Ubisoft, Mayhem Studios, etc.- 10 Multiple Choice questions- Average time to complete: 7 to 10 minutes

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