Production Manager

undefined ago • 5 Years + • Product Management

Job Summary

Job Description

The Production Manager (DPM) reports to the VFX Producer and Head of Production, assisting the VFX Producer in managing assigned VFX projects. This role involves close collaboration with VFX, CG, and compositing supervisors to align creative and production efforts. Key responsibilities include maintaining schedules, deliverables, and milestones, mentoring VFX coordinators, organizing meetings with clear agendas, identifying and resolving project roadblocks, and ensuring effective communication flow across various teams to meet goals and deadlines.
Must have:
  • Works in tandem with VFX, CG, and compositing supervisors to foster partnership between creative and production arms.
  • Assists VFX producer in managing VFX projects, maintaining schedules of deliverables, milestones, and dates.
  • Mentors and collaborates with VFX coordinators to create clear daily and weekly plans.
  • Organizes and manages day-to-day meetings, ensuring clear agenda with follow-up plans.
  • Identifies and assists production supervisors with project roadblocks, creating detailed plans.
  • Ensures clear communication flow and follow-up with various teams regarding goals and deadlines.

Job Details

Key Responsibilities

  • Works in tandem with the VFX, CG and compositing supervisors to foster the partnership between the creative and production arms of the Production Supervision crew
  • Assist VFX producer in managing VFX projects, along with maintaining the schedules of deliverables milestones and dates
  • Mentors and collaborates with VFX coordinators to create clear daily and weekly plans to ensure work schedule is on track as discussed with VFX producer and supervisory team
  • Organizes and manages day-to-day meetings, and ensures clear agenda with follow up plans
  • Identifies and assists production supervisors crew with any project roadblocks and create detailed plans to ensure effective and efficiency schedules
  • Ensures clear communication flow and follow up with various teams/department regarding goals and deadlines

Qualifications

  • Minimum two (2) years experience in a Digital Production Manager role (or in a similar)
  • Minimum five (5) years experience working on high profile feature films and television
  • Strong technical understanding of the VFX pipeline across multiple departments as well as interest and knowledge of VFX software packages
  • Excellent written and oral communication skills
  • Advanced Excel skills
  • Shotgun, or other production management software experience

About Us

Scanline VFX is an award-winning leader in the visual effects industry with 8 studios worldwide, including London, Los Angeles, Montreal, Munich (will cease to operate by year's end), Seoul, Mumbai and Vancouver. Since our beginning in 1989, we strive to set the highest standard of quality in everything we do. Through innovation, we generate solutions for our clients and raise the bar — both within our workplace and throughout our industry.

We look for explorers, people who are willing to go to new places and are open to testing, learning and iterating as they go. We believe great ideas come from everyone, so we actively encourage team members to ask questions and present their ideas.

Eyeline Studios

Eyeline Studios, our virtual production division, is rethinking the future of real-time filmmaking by providing content creators with unmatched flexibility. Learn more.

Powered by Netflix

Netflix’s investment in our pipeline, infrastructure, and workforce allows us to continue to push the boundaries of what is possible in visual effects. In addition to working on projects for Netflix, we continue to work with a variety of long-standing and new clients.

Come as you are

We are committed to ensuring fair and equal treatment of your application. When you apply for a role with us, you will receive consideration based solely on your qualifications.

We will only consider applicants based in British Columbia, or those willing to relocate.

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