Show Production Managers are the heart and soul of a project. They are responsible for managing all aspects of a show and the successful running of the production. The SPM is in charge of the overall schedule and must maintain this schedule throughout the course of the project. As well as extensive client relationship management the Show Production Manager will need to work closely with the Heads of Department and VFX Supervisor to establish clear and efficient methodologies. They are the driving force of the team, actively planning the day to day work while looking ahead and seeing the big picture, they ensure the full team feels supported and motivated.
Maintain professional relationships with the clients.
Make sure the client has briefed the show team fully on Shot Briefs, as well as any updates to the briefs.
Check that client requests are being prioritised and replied to by the Show Production Assistants.
Keep an eye on client emails, making sure they are all responded to correctly and in a timely manner.
Communicate any issues with the schedule or methodologies to the Producer/VFX Supervisor that need to be raised to the client.
Ensure version zeroes are being sent to the client. Work closely with the Editorial team in making sure Client Tech Specs have been accounted for in deliverables.
Organise and attend briefing meetings for new turnover/brief changes.
Send the weekly client report.
Oversee setup of, and attend client calls.
Create block schedule outside of Shotgun using the bid to inform overall planning.
Create an overall schedule in Shotgun using client milestones. A first pass/draft schedule of all turned over Assets and Shots is always preferred.
Set priorities with Editorial regarding order of publishing cuts, retimes
Group shots into Production Shot Groups based on shot likeness, scope of work, Hero shots etc to aid scheduling.
Assign lookdev and hero shots (with VFX and DFX Supervisor), group into anim beats for animation heavy shows (with Anim Director/Supervisor).
Work with DFX Supervisor about tagging shots.
Import all relevant material, example: shots, assets, shot and asset information, tasks and milestones. Run a check to ensure import has worked correctly.
Make sure shots have been bid
Send the schedule to the Line Producers and Department Coordinators and help them with their schedules as needed. Setup a weekly schedule timeline for all roles on your team to adhere and work with.
Keep the Producer and VFX Supervisor up to date with the overall health of the schedule, and work to resolve any issues
Using the schedule, help the DFX/CG Supervisor to make render farm estimates to provide to Tech
Help the CG Supervisor to prioritise and triage cross-department tickets
Maintain Show Production and Supervision tasks in Shotgun.
Update shot and asset statuses in line with Client notes.
When client notes come in, ensure they are added to dailies/discussed with the Supervisors and notes are being reflected in the targets.
Ensure the smooth running of target meetings to track progress of targets and adjust/swap as necessary.
Send 3 week sprint targets and weekly targets to the Show and Department Production and Supervision teams.
Ensure Production Assistants are keeping versions and playlists clean.
Ensure that Line Producers are keeping track of their schedules and keeping them clean, updating their notes and department milestones promptly, that they are on top of bids vs actuals, checking upstream dependencies, following correct methodologies for the shots, following DNEG production workflows, and flagging any scheduling issues in a timely manner.
Ensure the Coordinators are keeping up to date with their 3 week schedules and targets.
Ensure that Line Producers are checking upstream dependencies, the Department Milestone Status and Department Coord Note fields to inform target changes.
Follow and uphold the DNEG best practices for scheduling, notify the CPM if a workflow needs updating.
Towards the end of the show, make the Supervision and Production teams run an actual check, adjusting the durations to match the projected work left.
Close project by conducting end of show schedule clean up, archiving show, organising breakdowns, facilitating what needs to go into the asset and setup library, conducting end of show debrief for the Show Post Mortem.
Les directeurs de production de spectacles sont le cœur et l'âme d'un projet. Ils sont chargés de gérer tous les aspects d'un spectacle et de veiller au bon déroulement de la production. Le SPM est responsable du calendrier général et doit le maintenir tout au long du projet. Outre la gestion des relations avec les clients, le directeur de production devra travailler en étroite collaboration avec les chefs de département et le superviseur VFX afin d'établir des méthodologies claires et efficaces. Il est la force motrice de l'équipe, planifiant activement le travail quotidien tout en regardant vers l'avant et en ayant une vue d'ensemble, il veille à ce que toute l'équipe se sente soutenue et motivée.