VFX Editor

1 Month ago • All levels • Editorial • Undisclosed

About the job

Job Description

The VFX Editor at DNEG is responsible for managing all editorial tasks, liaising with production and client editorial teams, maintaining VFX databases, and QC'ing materials. This role requires a strong understanding of VFX processes, editorial tools (Premiere, Media Encoder, Baselight/Hiero/RV), and common film/video formats. The VFX Editor will also train and mentor junior staff, contribute to promotional materials, and potentially assist in client review sessions. A creative element is involved, requiring collaboration with PR and internal teams.
Must have:
  • VFX Editorial experience
  • Adobe Premiere proficiency
  • Understanding of editorial workflows
  • VFX process knowledge
  • Film/video format understanding
  • Experience with Shotgrid/Shotgun
Good to have:
  • Avid Media Composer
  • DaVinci Resolve
  • Linux OS experience
  • Nuke knowledge
  • After Effects & Photoshop skills

Description

Position at DNEG

The Editorial team at DNEG is essential for the smooth running of our shows. Working hand in hand with our Production teams, the VFX Editor is responsible for handling all DNEG editorial tasks required for a project.
The DNEG Production teams will rely on the VFX Editor to have a thorough knowledge of all cuts, keeping them updated with the latest scans and retimes whilst also maintaining VFX databases with up to date editorial information.You’ll liaise directly with the client Editorial team and be the editorial point of contact on behalf of the DNEG Production teams and artists. You will be responsible for QC’ing turnover material entering and client versions leaving the facility. You may also be called upon to assist in running client or internal review sessions within DNEG.
There is a creative element to the role and you’ll be asked to assist the PR and internal teams with show based promotional material and in-house initiatives.
Training our Editorial Assistants and Assistant VFX Editors is a core part of being a VFX Editor. It is important you have the drive to train, encourage and support those working beneath you and delegate work fairly to promote a rewarding training environment.

 

Must Haves
  • Experience working in a VFX Editorial department.
  • High level of proficiency in Adobe Premiere.
  • A thorough understanding of common Editorial tools and workflows.
  • A firm understanding of the VFX process, terminology, LUTs and colour spaces.
  • Good understanding of common film and video formats, timecode, file types and frame rates.
  • Experience using Adobe Media Encoder and multimedia playback software, such as Baselight, Hiero or RV.
  • Experience of database management and use of Shotgrid / Shotgun.

 

Nice to Have
  • Experience with Avid Media Composer or DaVinci Resolve
  • Prior use of a Linux OS
  • Familiarity with Nuke
  • Knowledge of After Effects and Photoshop

 

About You
  • Problem solver
  • Organised
  • Excellent communicator
  • Ability to multitask
  • Adaptable
  • Self motivated
  • Calm and focused under pressure


About Us
We are DNEG, one of the world’s leading visual effects and animation companies for the creation of award-winning feature film, television, and multiplatform content. We employ more than 9,000 people with worldwide offices and studios across North America (Los Angeles, Montréal, Toronto, Vancouver), Europe (London), Asia (Bangalore, Mohali, Chennai, Mumbai) and Australia (Sydney).

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About The Company

DNEG is a world-leading visual entertainment services company for the creation of feature film, television, and multiplatform content, with worldwide offices and studios across North America, Europe, Asia, and Australia.

 

DNEG’s critically acclaimed work has earned the company seven Academy Awards® for Best Visual Effects and numerous BAFTA, Primetime EMMY® Awards and VES Awards for its high-quality VFX work. 


Visit www.dneg.com for DNEG’s current and upcoming projects on behalf of Hollywood and global studio and production company.

London, England, United Kingdom (On-Site)

Vancouver, British Columbia, Canada (On-Site)

Mumbai, Maharashtra, India (Remote)

Sydney, New South Wales, Australia (On-Site)

Sydney, New South Wales, Australia (On-Site)

Los Angeles, California, United States (On-Site)

Los Angeles, California, United States (On-Site)

Sydney, New South Wales, Australia (Hybrid)

Sydney, New South Wales, Australia (Hybrid)

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